When the feature-film length version of Mystery Science
Theater 3000 came out in 1996, it was billed, "Every year Hollywood
makes hundreds of movies. This is one of them!"
As a fighter, the Fiat G.50 Freccia could be summed up in
much the same way: "World War II featured hundreds of combat
aircraft types. This is one of them."
The shift occurring in fighter design during the late
1930 saw aircraft designers throughout the world accepting an
evolutionary move away from the spritely, lightly-wing-loaded
biplane carrying a pair of rifle-caliber guns to the fast, heavily
armed monoplanes that would characterize World War II. This leap was
naturally accomplished in fits and starts, however, with several air
forces stubbornly retaining the light armament and open cockpit of
that earlier era while nonetheless embracing these clean new
airframes. Such was the case here.
Recognizing the trend, the Italian Regia Aeronautica put out a
request in 1937 to industry requesting monoplane fighter designs. A
fly-off was held between the resulting three contenders, the G.50,
the Macchi C.200, and IMAM Ro-51. The first two were selected for
production, and the G.50 entered service in 1938. At first it was
thought highly of, with light controls and maneuverability just as
good as the biplanes it was replacing. However, being just too late
for combat in the Spanish Civil War, nothing could be learned and
applied to the type's development. By the time the little Fiat
finally had a chance at real combat it was in the skies over Britain
in the fall of 1940--where its pathetically short range and light
armament made it a non-contributor, despite the enthusiasm of the
pilots. Sort of like those thirty- and fortysomething Ph.D
applicants who hang out in man-bikinis on the periphery of the
Spring Break debauchery, hoping to get laid. It would instead be the
fighter's competitor, the C.200, and its direct development, the
C.202, where the vast majority of Italian aces would score their
kills.
The Freccia finally saw some mild success against
Hurricanes, P-40s, and Blenheims in the North African desert, and in
the opening phase of the Italian adventure in Russia. One RAF pilot
who flew a captured example assessed it as being "a great aircraft
for touring but not for war." The design suffered from the
transitional period in which it emerged and the protracted period of
non-combat that followed, both of which exacerbated its lack of
development potential. A few Italian pilots did manage to make ace
on the machine, but by and large it was simply just...there.
Like many others of the miscellany of cast-off foreign
aircraft types operated by them, the Freccia saw its most successful
use by the Finns. Performing impressively at the tail end of the
Winter War and the beginning of the Continuation War, it further
proved that equipment performance is often secondary to training and
morale in the outcome of battle. Several Finnish pilots made ace on
it. However, it was one of the few aircraft that apart from fitting
it with skis, Finns made no attempt to upgrade or develop in any
way.
Probably the biggest compliment one could give the Fiat
G.50 is that the superb G.55 Centauro was derived from it--the one
Axis-parter fighter type the Germans were keenly interested in
manufacturing for themselves. Chief engineer Giuseppe Gabrielli
would go on to design the highly successful G.91 and G.222 for
postwar Italy's NATO allies.